Hall Pass (2011)

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Hall Pass Overview

Hall Pass is a 2011 comedy film helmed by the Farrelly brothers. Owen Wilson and Jason Sudeikis star as friends who are at a crossroads in their marriages. Realons and perseverance are fictioned alongside marriage in a humorous way.

A marriage is a legal agreement and a contract set forth by the government. Humor is used to illustrate how people often take their bond as husband and wife for granted. They take vows in front of a priest, family and friends who are witnesses to this devotion for life.

Plot Summary

The film recounts the tale of Rick Mills, played by Owen Wilson, and Fred Searing by Jason Sudeikis. They are best mates and both of them are tied in matrimony to achieve the ‘happily ever after’ with their wives. Their families are treasured, however the love the trio share is intangible at the cost of reliability. They have a habit to overshadow their goals and nullify the focus on what is important, mentally drifting.Wives Maggie (Jenna Fischer) and Grace (Christina Applegate) have noticed this behavior and grown weary of the wondering and lacking maturing. In a shocking turn of events, the wives choose to grant the men a “hall pass” a one week divorce where they can do whatever they desire, without any repercussions.

Rick and Fred rejoice at the suggestion and begin to envision a week full of nothing but riveting activities. They soon realize, however, that getting reacquainted with their former, care free self is rather difficult. They have aged, do not practice, and soon understand that the world has altered.

Rick and Fred do their utmost to make the most of their week passes, but find themselves struggling to not come off as clumsy, as the overall result comes off as a bomb. They must deal with painfully awkward hurdles that come with public interaction as well as attempting to mingle with younger individuals. In the meantime, the wives begin to contemplate their lives and marriages.

Rick begins to come to the conclusion that all of this life, the wife and kids, is worthwhile. In the case of Fred, the excitement seeker, he faces a change that eliminates the unimportant things in life and helps him understand self reflection.

As the film comes to a conclusion, the characters realize that the fantasy of freedom is far less gratifying than the actual fantasy love, family, and devotion. They return to their spouses with a renewed understanding of the dynamics of relationships and what it means to be a loving spouse.

Primary Characters

Rick Mills’ s (Owen Wilson): A gentle and cheerful husband who is taken to the idea of a week of freedom but comes to the conclusion that the family is the primary source of joy.

Fred Searing (Jason Sudeikis): A highly enthusiastic and overly animated best friend to Rick. He is far more focused to the hall pass opportunity but undergoes a positive change in the end.

Maggie Mills (Jenna Fischer): The wife of Rick who is somewhat motherly and highly understanding. In order to inspire structural appreciation, she gives the hall pass with the expectation that her husband will come to cherish the bond.

Grace Searing (Christina Applegate): Fred’s wife who is confident and self sufficient. During the break, she turns the focus towards herself and her desires within the connection.

Coakley (Richard Jenkins): An overly friendly and self assured friend who attempts to Rick and Fred with the enjoyment of the hall pass in increasingly radical and passionate ways.

“… Appreciating Commitment. At it’s most fundamental level, the film deals with understanding what one has and valuing it. Rick and Fred come to understand that there is more to responsibility than having and escaping it. They genuinely come to understand and appreciate their wives and families.”

“… Maturity and Growth. Rick and Fred start the film very much in the past with memories of their youth and evading adult responsibility. Their time during the hall pass serves to teach them that, in addition to love and respect, maturing emotionally also means stability.”

  1. Temptation and Reality

This movie most funnily attempts to pit fantasy against reality. The difference between what the characters want and what they really need is vast. The film kindly reminds it’s viewers that the most meaningful and fulfilling aspects of life come from true relationships, rather, than surface level stimulation and instant gratification.

Style and Tone

Hall Pass seems to be directed with a lighthearted and comic touch, typical of just about every work directed by the Farrelly brothers. The movie is heavily laden with situational comedy, cringe comedy, and bursts of dialogue between characters that are sometimes viewed as silly. Despite the ribaldry, the cinematography has an overriding sense of warmth and honesty.

Colorful, and bright, the cinematography matches the relaxed suburban, and the ordinary and daily with the daydreaming aspects of the adventure. The music also matches the respective scenes, from euphoric party sequences, to the inescapable silence of introspection.

Reception

When Hall Pass came out, it largely had mixed reviews from critics in regard to the film’s primary message. The film received praise for the cast, and some critique for the overwhelming light humor, as well. Hall Pass, like a few others in the comedy genre, also tends to cater towards a very soft and gentle message, with more emphasis in the closing moments surrounding interpersonal relationships.

Many viewers valued the on-screen rapport between Owen Wilson and Jason Sudeikis because their friendships seem authentic and relatable. Furthermore, the performances of Jenna Fischer and Christina Applegate serve to balance the narrative by demonstrating that both sides of a relationship require nurturing and consideration.

Conclusion

Hall Pass is a thoughtful and humorous comedy that takes a unique and captivating approach to relationships. Although the idea of taking a break from marriage for a week may seem ludicrous, the film uses this to investigate more profound principles of love, commitment, and self-discovery.

Ultimately, both the characters and the audience are reminded that the true happiness in life is not about the freedom without responsibility, but about the ability to be conscious, appreciative, and loving in the life one chooses to live.

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